My father died when I was five years old. Since my mother had to work a lot because of that, my younger brother and me spent a lot of time with my grandmother, who was a painter. In contrast to my brother I never put down the pens again. I painted a lot and my grandmother encouraged me and tried to support the talent she saw in me.

‚It all started in the summer of 2011 after I renovated my apartment. Days of hard work had passed, I was relaxing on my sofa, listening to records. And Bam! Dilla Donuts’ and Kaye-ree’s “Endless Melody” blew me away, inserted immensely colourful visions into my daydreams. Which made me start on my first paintings. And now? The beat must go on! Endless Melody. Each track that blows me away is being transformed,

Lives and works in Madrid.

Royás’ work addresses the barrage of images we get from contemporary reality and current socio-political context. His work focuses on the concepts of memory, power, violence, identity, as well as the very essence of nature, including the relationship between man and nature.

Royás explores the daily shock that an overwhelming and disensitizing culture of images generates. His work is not about making visible the hidden truth behind these images;

‚Cuando el arte traspasa la piel‘ (When art goes beyond skin)

In an exercise of fusion of the deepest Spanish cultural traditions and new technologies, the spectator can admire the work of Ragel in stereoscopic paintings and 3D televisions, allowing him to delve into the best of two worlds: the pictorial vanguard of the early 20th century represented by his work, with today’s technological vanguard involved in 3D.